No need to speculate; just watch the video below, though I can’t be responsible for damage done to your ears and eyes. This horrifying spectacle was very likely the product of a CIA psy-op directed at the American people. The “musicians” and “dancers”, or more precisely, weirdos, were likely all CIA operatives. Their mission? Keep reading below…
You probably know that the CIA used LSD in their brainwashing projects. And you may have heard that it was the CIA that injected LSD into American society. But you probably never heard why: it was to subvert the student movement protesting the Vietnam War in the 1960s by turning intelligent, informed, politically-active young people into drooling acid junkies.
What happened, apparently, was that the military-industrial complex sent their suns and daughters out to Laurel Canyon in Los Angeles to launch the Hippie movement. And since the kids weren’t very good musicians, they hired a local weirdo named Vito Paulekas to put on a freak-show, literally, to try and rope people into the clubs where the terrible bands were making their screeching noises.
Frank Zappa, the son of a chemical warfare scientist, was the den mother of the project. Jim Morrison’s father commanded an aircraft carrier in the Gulf of Tonkin false-flag operation to kick off the war, etc.
Eventually, they put some decent bands together and an army of zombie-like hippies went forth to eat the brains of students on American campuses. Maybe they prolonged the war for a few years, and helped the military-industrial complex make billions more in war profits.
That’s my synopsis of Dave McGowan’s story: “The Strange but Mostly True Story of Laurel Canyon and the Birth of the Hippie Generation.” McGowan is in the process of expanding his story into a book. However, a big chunk of it is available on numerous websites, and this site is the only one that I found that has the story with the photos, so that’s a good place to read it.
And now I am no longer mystified as to how Zappa got well-known so far out of proportion to his (alleged) musical talent: the CIA was likely twisting arms all throughout show-business to get their bands exposure.
And this amazing story begs the question: how much more of our culture has been designed by the CIA?